Shomyo is a Buddhist song which is an added melody for a sutra. It originated from India, and it has been used in Japan ever since the Nara
period. It is sung a capella (exclusively voices, no instruments) by one or more Buddhist monks.

Joruri is a form of narrative music. It uses the shamisen. There are four main joruri styles; these represent the centuries-old traditions that have survived to today’s date.
. Gidayubushi – a style of joruri; used for bunraku (puppet plays).
. Tokiwazubushi – a style of joruri; used for kabuki dances (Shosagoto).
. Kiyomotobushi – a refreshingly unrestrained and light style of joruri, used for kabuki dances.
. Shinnaibushi – the typically lively and upbeat style of joruri, used for kabuki.

Shakuhachi music began in the Edo period. It was used as a replacement for sutra.
Japanese traditional instruments are: Biwa, Koto, Ichigenkin, Sanshin, Yamatogoto, Kokyu, Hocchiku, Nohkan, Ryuteki, Shakuhachi, Shinobue, Hichiriki, Sho, Yu, Horagai, Kakko, Taiko, Otsuzumi, Kotsuzumi, Tsuzumi, Shime-Daiko, Hyoshigi, and Shoko.
The popular artists in the japanese traditional music area are: Yoshida Brothers and Rin’.

The post Japanese traditional music, part II first appeared on Tourist Wedding - Destination wedding story.

• theatrical
• court music (gagaku)
• and instrumental

Noh (nogaku) music is the type of theatrical music.

It is performed by “hayashi-kata” – the instrumental ensemble, and usually accompanies yokyoku – the vocal music, in noh theater. The instruments used for performing Noh are the taiko, stick drum, a big hourglass shaped drum (otsuzumi), a smaller hourglass shaped drum (kotsuzumi), and a bamboo flute (nohkan).

Kabuki is a type of Japanese theater. It is well known for its stylized dancing and singing, as well as the elaborate make-up. At first, Kabuki used Hayashi, but later on, it incorporated its own instruments (such as shamisen).

The music of kabuki can be divided into three categories:

Geza – performed by playing music and sound effects on stage behind a black bamboo curtain (kuromisu); can be further divided into uta (song) – sung (usually by multiple singers at once) in accompaniment to shamisen, aikata – represents the shamisen music without any singing, and narimono – played by musical instruments besides the shamisen.

Shosa-ongaku – encompasses music played on the stage and accompanies acting and dancing.

• Takemoto – recites the parts of the play concerning scenery. Actors synchronize their lines with the rhythm (an effect known as “get onto  strings”).
• Nagauta – the most commonly used form of geza; it consists of singers (utakata) and shamisen players (shamisenkata). Shamisenkata use hosozao (the thin-neck shamisen) which produces high tones and can produce delicate melodies.
• Tokiwazu – consists of reciters (tayu) and shamisenkata that use chuzao (the medium-neck shamisen)
• Kiyomoto – consists of tayu and shamisenkata (using chuzao); words and sentences are full of emotion, and are recited in very high tones. music styles).

Ki and tsuke – covers the sounds made by striking two square oak boards. When the boards strike each other, the “ki” sound is produced. Likewise, When the are struck against a hardwood board, the “tsuke” sound is produced.

You can see how the Kabuki theater looks in this You tube video:

https://www.youtube.com/watch?v=4JjLuh4Ns7s

The post Japanese traditional music, part one first appeared on Tourist Wedding - Destination wedding story.